We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Un Disco SD029

by Cosmesi

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €7 EUR  or more

     

  • Record/Vinyl + Digital Album

    If you want the vinyl you just have to contact www.vinilificio.com and ask them for a single handcfrafted copy: info@vinilificio.com

    Includes unlimited streaming of Un Disco SD029 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 30 

      €12 EUR or more 

     

  • Full Digital Discography

    Get all 36 Sangue Disken releases available on Bandcamp and save 50%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Also Sprach..., Anciana SD032, SESSION#5 SDS009, Distance Hug SDS008, GELOSIA EP SD031, Un Disco SD029, Manetti! SD028, Plateaux EP SD027, and 28 more. , and , .

    Purchasable with gift card

      €84 EUR or more (50% OFF)

     

1.
DRO, MAR 7TH 00:19
2.
They’re looking for you And they’re asking for you They’re always calling you Do not become a star of the past It won’t be long ’til you’re an outcast But you walk on grass Eating bananas And you, you’re at your best Contracts, movies, agents They’re always wanting you You are in the eye of the storm On stage! It’s your time to perform But you walk on grass Eating bananas Autographs Cadillacs Upper class Laughing gas Only bananas
3.
Gwendy says free up space on your hard drive terabytes crappy files you recorded for some friends of yours use the force erase all your data time to shave it’s time to save yourself pay to get in pray to get out used the back door ran in to the store dressed like a whore hit the dance floor Pay to get in Pray to get out Pay to get in
4.
5.
173KG 04:41
I woke up early this morning. I was making a toast my mind went far To the concrete tunnel on the playground To the night out drinking at the Auto Bar You laugh at me You laugh at me Your hair longer than mine Your car windows broken at Nine Don’t touch me under water Forget me not. Forget me not. Burning Flowers Skating Downhill Snowy Wednesday And I burned my toast Yes I made it black, it was real black Not brown My time has come to go outside You laugh at me I can’t lift my big brown bag You laugh at me You don’t know what’s inside My two ex-boyfriends are Baby’s in my big brown bag.
6.
Flowers cast shadows On my windows Whirling dust dances In the sunlight The fly is fast and white on the outside My very last drawing was tired Maybe then A single sigh It is not enough It is not enough And I only get it now That the world would spin faster If I only knew what I do not want I Do Not Want Cutting – masking – gluing - tracking I do not want Framed – white – paper - pages I do not want Pencil – rubber – green – markers I do not want Contacts - suggestions - proposals – portfolios I do not want Emails – spam - trash – splash I do not want Posing – posting – selfies - pictures
7.
8.
RIVERBED 03:26
They sting my hips They rip my lips Mama, my legs get off Too much is never enough Hey, they will not stop Up from the mountain top Down an endless track They keep on breaking my back I have no choice I can’t stand still or relax I have to run to my bed Together with all these rocks I have no choice at all Everyone of us gives their worst or their best What’s wrong with all the rest? They crack my teeth They punch my cheeks. This is the bed where I lie Until the day that I die HEY! They skin my knees They do whatever they please They strip me to the bone Like a rolling stone I have to run to my bed Together with all these rocks I have no choice at all Everyone of us Gives their worst or their best What’s wrong with all the rest?
9.
Ask me to have more patience Is like commanding a bonfire to burn in slow motion. I tried out many animal identities: Cats, crows. rats and frogs... I tried the whole lot. Maybe Sometimes I'm afraid I forgot. How about you? How about the fox? Am I overrated or not? I also tried wild enemies, like: bears, wolfs. tigers and lynx... and still Should I try the fox? It said: You already know where to go! Aries, look death in the eye! Take out your ukulele And fly! Fire was the biggest mistake I ever made. And yet it was the best thing that ever happened. Ever. Sometimes my mouth is faster than my brain. I just forgot What did you say? Oh, and you? How about the fox? Maybe Sometimes I'm sure I forgot. Chaos reigns. Lucid dreams. And what did I see again? My fox. How ‘bout the fox? It said: You already know where to go! Aries, when you look an alligator in the eye Pull out your incinerator Stand by! How about me? How about the fox? Sure Sometimes I know I forgot.
10.
11.
You can dance with your ugly shirt You can dance as long as you smell good Even if you're getting older Even if somebody told her You'll be almost cool We all saw it in the movies You can dance to your best BOOGIE-WOOGIE You can dance she don't care if you're moody Even if you cannot hold her Feel the rhythm on your shoulders You'll be almost cool We all saw it in the movies
12.
13.
Goodbye my darling Goodbye my love Fuck you my darling Fuck you my love

about

"Tentiamo un nuovo salto dentro il linguaggio in maniera mimetica: questa volta sul pianeta musica.
Siamo frequentatori assidui di concerti, ascoltatori bulimici di mp3, amici di rockers; siamo due artisti che non hanno mai suonato uno strumento.
Ci comportiamo come abbiamo visto fare dai musicisti, ricerchiamo le sonorità delle canzoni che ci piacciono, ma rimaniamo due analfabeti che per pochi mesi, prendendoci sul serio a tempi alterni, hanno provato a comporre musica, seguiti dall'amico producer.
Finisce che, come scimmie ammaestrate, raggiungiamo il massimo artificio - incidendo un vero e proprio album - e arriviamo al palco del club - dove eseguiremo dal vivo i brani originali creati da noi che non sapremo mai suonare." (Cosmesi, 2018)

Cosmesi nasce 15 anni fa; è un gruppo fondato da Eva Geatti e Nicola Toffolini che da sempre collabora con differenti artisti per sviluppare progetti ibridi nel contesto del teatro, dell'installazione e della performance. Il primo lavoro del 2003 aveva un titolo molto lungo, mentre l'ultima produzione (che ha debuttato al festival Motherload - Drodesera nel 2015) si intitola "Di Natura Violenta".

cosmesicosmesicosmesi.com

credits

released July 26, 2018

Scritto e interpretato da / Written and performed by - Eva Geatti, Nicola Toffolini
Prodotto da / produced by - Marcello Batelli
Registrato da / Recorded by - Marcello Batelli
tra gennaio e luglio 2018 presso / between January and July 2018 at -
Sala delle Mezzelune of Centrale Fies (Dro), Teatro il Lavatoio (Santarcangelo di Romagna), Supercinema (Santarcangelo di Romagna), Casa Ragno (Padova), Lignum Lab (Villa del Conte), Santo Stefano 138squat (Bologna).
Mix - Marcello Batelli

Mastering - Giulio Ragno Favero
Artwork - Alberto Merlin
strumenti in prestito / musical instruments on loan
produzione / produced by Cosmesi 2018
in collaborazione con / in collaboration with Centrale Fies
www.centralefies.it/supercontinent2/index.html

con il supporto di / supported by Festival di Santarcangelo, Casa Ragno Favero (Padova / Padua), Elastico fa/ART (Bologna)
www.santarcangelofestival.com

un ringraziamento a / thanks to Antonia Peressoni (Sfera Cubica)
pubblicato da / published by Sangue Disken
Il vinile di Cosmesi è stampato su richiesta da / Cosmesi’s vinyl record printed on demand by Vinilificio

ITA:

Questo spettacolo è un disco; esiste grazie ad una quantità di fenomeni favorevoli e meno che ci piace elencare in ordine sparso: l'incoscienza; Atene; Marcello Batelli che da infaticabile producer ha messo insieme tutte le idee e il suono e quando eravamo bravi anche l'amore; le ciabatutis; Franco Battiato il nostro english teacher; Barbara B. che ha detto “SI” subito; le fughe alla polacca; Alberto “Merlo” Merlin che ha reso concrete e visionarie le immagini; il non essere mai d'accordo; gli strumenti in prestito; Debora Ercoli; gli ostinati amici che fanno il teatro; Donna Giuliana e Vienda; il sottosegretario; Barnaba Ponchielli inarrestabile uomo di fede e folle provocatore; la mia malinconia; la pizza; Monica Sartini per i cori di Riverbed; le pasticcerie; l'ostruzionismo; Marzia e le ragazze di Elastico; il vino; i labirinti da cui sappiamo che usciremo; L'Arnica sulle botte; Giulio Ragno Favero in odore di Santità; quello che ci sembra infattibile; Albert Von Wuster; i morti splatter nei film; Eva Neklyaeva anche per i costumi; la ricerca pura; Cristian Adamo e il suo Vinilificio e la sua pazienza; le poesie scritte nei bagni; Tegu che ha letto i testi, sorriso e scosso la testa; Antonia Peressoni; Silvano della cartiera di Bologna; la deliziosa accoglienza dei teatri stabili; Gwendy; lo staff del Festival di Santarcangelo e di Centrale Fies; la maestra di basso Folake Oladun; i curiosi; le luci e l'intelligenza luccicante di Sarah Chiarcos; i toast carbonizzati e il loro fumo nero; Richard Tiso; Luca Bottigliero; l'allarme antincendio; Sua Maestà la Regina; gli stonati di tutto il mondo e i fuoritempo; Katia, Ale Paper e l'Officina Margherita; ciò che sembra irraggiungibile; Roberta Segata; Monique Mizrahi; i Coronas che cantano Bananas; Chiara Fava; e tutti coloro che vogliono il nostro bene.

Volevamo inoltre assicurare che nessuno strumento musicale è stato maltrattato durante le prove e la registrazione di questo disco.


ENG

This show is a record; this record exists thanks to a number of more or less fortunate elements. And now the credits in random order: the unconsciousness; Athens; Marcello Batelli, who, as our tireless Music Producer, has put together all the ideas, sounds and even love - when we were good; the ciabatutis; ”Our English Teacher” Franco Battiato; Barbara B. who immediately said “YES”; the Polish way out; Alberto "Merlo" Merlin who made the images concrete, beautiful and visionary; to never ever agree; the musical instruments we borrowed; Debora Ercoli; the stubborn ones who keep making theatre; Donna Giuliana and Vienda; the Sottosegretario; Barnaba Ponchielli, a man of unstoppable faith and a crazy provocateur; my melancholy; Pizza; Monica Sartini for her backing vocals on Riverbed; the pastry shops; the obstructionism; Marzia and the girls of Elastico; wine; the labyrinths we escape from; Arnica on my blows; Giulio Ragno Favero in the fragrance of holiness; Albert Von Wuster, the dead in the splatter movies; Eva Neklyaeva, for the costumes too; the “Pure Research”; Cristian Adamo and his Vinilificio and his patience; the poems written in the toilet; Tegu, who read the lyrics, smiled and shook his head; Antonia Peressoni; Silvano, of the paper mill; the delicious hospitality of the Italian stable theaters; Gwendy; all the crews from Centrale Fies and the Santarcangelo Festival; our bass teacher Folake Oladun; the curious people; the lights and the shining intelligence of Sarah Chiarcos; the burnt toast and their black smoke; Richard Tiso; Luca Bottigliero; the fire alarm; Her Majesty the Queen; people who sing out of tune and out of tempo; Katia, Ale Paper and Officina Margherita; all the things that doesn't seem attainable; Roberta Segata; Monique Mizrahi; Coronas singing Bananas; Chiara Fava; and to everyone who love us.

We also wanted to reassure that no musical instruments were harmed in the making of this records.

license

all rights reserved

tags

about

Sangue Disken Milano

Sangue Disken is an independent music label based in Milan. It travel through rock, pop, folk, punk, gospel, soul, black metal, electronic. Since 2008.

contact / help

Contact Sangue Disken

Streaming and
Download help

Redeem code

Report this album or account

Sangue Disken recommends:

If you like Un Disco SD029, you may also like: